It started with my dad. Every fall for 20 years, he talked about chasing desert bighorn in Nevada. He never drew the tag, but the dream never died. When I finally drew Unit 241 at 23, I knew who I was calling.
The hike in to base camp took two days -- nine miles of ridge line at altitude. My guide Marcus didn't say much, just kept scanning the basin with his spotting scope. On the morning of day five, we caught movement on a distant face.
That ram was everything we'd hoped for. Heavy, dark horns curling past full curl, moving across the rock face like he owned every inch of it. Marcus glassed him for a long time before he turned to me and said, 'That's the one.'
The stalk took six hours -- careful, deliberate, covering ground the way these mountains demand. We dropped into a drainage, climbed back out on the far side, and belly-crawled the last 200 yards across loose shale. Every step felt like it could end the whole thing. But the wind held.
When he finally stepped into the clearing, backlit against the red rock, I understood why Dad had dreamed about this place. The basin spread out below us, quiet and ancient, and for a moment everything slowed down.
The shot was clean. 312 yards. When I walked up to him, I called Dad immediately. He was quiet on the phone. Then he said, 'I'm proud of you, James.' That's what I remember most.
Snyder Taxidermy Studio handled the mount, and the craftsmanship speaks for itself. Every detail -- the eyes, the pose, the way the horns catch the light -- it all takes me back to that ridge in Unit 241.
This mount isn't just about the ram. It's about finally taking that mountain on. It's about Saturday mornings with my dad on the phone talking about what it all meant. It's proof that some dreams are worth the wait.
